I was lucky enough to attend two of Luminato's Lunchtime Conversations the other week, and the chat on Tuesday included a surprise performance from a local retirement home!
Tuesday's chat had a larger than average panel: the packed audience heard insights from Alexina Louie (Composer), Mike Ross (Actor, Composer), Tom Allen (CBC Radio Host), Lance Horne (Composer), and Mark Campbell (Librettist) discuss their contributions to A Poe Cabaret: A Dream Within a Dream.
The Poe-inspired compositions feature the Canadian premiere of librettist Mark Campbell and composer Lance Horne's opera The Tell-Tale Heart
featuring Sean Clark (tenor) and Horne on piano, fresh from its debut
in New York. Mark tells the audience he likes to start at the beginning of a libretto and not read through to the end so it's a "naturally revealing process and the libretto ends up surprising you in the end." Which Lance is quick to point out half-jokingly, "that's so annoying!"
Mark Campbell, Lance Horne, Tom Allen, Mike Ross, Alexina Louie, Mitchell Marcus
CBC's Tom Allen seemed to represent the story-telling side of A Poe Cabaret: A Dream Within A Dream. He mentions that even his ancestors were preachers, and that story-telling is something that has always been present in his background. For him, Poe tells stories with layers, which include lots of vague questions. He loves that "a piece of music is written to tell a story, and that can end up depicting so much."
A member of the audience asks what the panelists do when they
experience writer's block. Mike Ross reveals that it happens to
everyone, and the best method for him is to go back to the basics; in
this case, the actual text of Poe. Once he read the poetry over again
and allowed himself to get lost in the words, inspiration slowly
creeped back in.
Tom Allen, Mike Ross, Alexina Louie and Mitchell Marcus
It was interesting to hear Alexina Louie (composer of The Raven) discuss how her younger years of being "painfully shy" helped her become a better composer and pianist: she expressed her emotions through music and playing the piano. For The Raven, she wanted to write a piece of music for each of the 18 stanzas, and called her sister (who has a Masters of English) to discuss Poe's words in each stanza to get a better idea of how she could relay his words into music. She was inspired by Schubert's Death and the Maiden because it incorporates death, love, longing, loss, and weirdness, which she also saw in Poe's work. She said, "musically I just had a ball!"
At the end of the discussion, the audience was treated to a surprise performance from the Pine Villa Retirement home's choir, who had prepared 5 different songs to sing. It was delightful to see the choir belting out classic songs, and a couple of them even got up to dance! Overall, it was a great event!